Julius is an Assistant Professor of English at the University of Maryland, College Park. He earned a doctorate in English, and a graduate certificate in Africana studies, from the University of Pennsylvania. Specializing in African Diasporic literatures and cultures, he has particular interests in performance studies, visual culture, sound studies, philosophy, medicine, and southern studies— especially where they intersect with race, gender, and sexuality. During his time at the Woodson, Julius will complete his first book manuscript, entitled “Technologies of Liberation: Performance and the Art of Black Political Thought.” This project uncovers the centrality of theatrical performance to the cultural and political landscapes of the modern Civil Rights Movement. It argues that black theatre, like photography and television, was a vital mode of aesthetic innovation and black political thought. Whether staging performances in the cotton fields of Mississippi, on Broadway, or in Amsterdam, Holland, black artists and activists crafted radical theatrical performances that inflected the political character of U.S. modernity, and revised normative ideologies of race, gender, sexuality, and modernity itself. Julius will also begin work on his second book project, which traces the historical role of black performance in producing and dismantling the medical industrial complex. Whereas mass incarceration and the prison industrial complex have dominated scholarly and activist discourse, this project makes a case for more evenly attending to the medical industrial complex—both as a critical object of study and a key social justice issue that informs possibilities for being black and human.